Art direction audition · Sculpting Static
The goal of this run
{
"high_level_description": "Landscape 16:9 key art drawn in chalk pastel on black paper: a solid, carefully rendered lighthouse stands on a rocky point at right, its acid-yellow beam sweeping left through a dense field of television static that thins and dissolves into clear open sky, with the headline \"Sculpting Static\" set low-left over the dark sea.",
"style_description": {
"aesthetics": "chalk pastel on black paper, patient, precise, a little wistful, hand-drawn scientific poetry, high contrast, generous negative black",
"lighting": "single source — the lighthouse lamp — drawn as a hot pale bloom with fibrous radiating chalk strokes; a soft widening cone of acid yellow crosses the static; everything untouched by it stays unlit bare black paper; faint chalk-white rim light on the tower's lit edge",
"medium": "illustration",
"art_style": "soft chalk and pastel sticks worked on heavy black paper; powdery pigment caught on visible paper tooth, smudged fingertip blending, broken stick strokes and scumbled edges, bare matte black paper serving as the darkest value, dusty haloes bleeding around the brightest marks, no outlines or digital cleanliness",
"color_palette": ["#141313", "#1F1D1D", "#F4F1EA", "#F2E15C", "#FFF7C2", "#19C3AC", "#7E97A8", "#B23A32", "#4A4A4A", "#F7F2F1", "#BABCC2"]
},
"compositional_deconstruction": {
"background": "Bare heavy black paper standing in for night: an unlit matte void above a low horizon, its tooth showing through every stroke, with faint dusty chalk smudges suggesting depth of atmosphere but no rendered sky detail",
"elements": [
{
"type": "obj",
"bbox": [60, 40, 620, 560],
"desc": "a dense field of television static occupying the upper-left air: thousands of short flecked chalk ticks in white, gray and pale slate stippled across the black paper, packed and agitated at the far edge, deliberately hand-made rather than mechanical",
"color_palette": ["#F4F1EA", "#7E97A8", "#4A4A4A", "#141313"]
},
{
"type": "obj",
"bbox": [40, 560, 480, 970],
"desc": "clear open sky at upper right where the static has dissolved: the flecks thin out and stop, leaving smooth swept turquoise and slate chalk blended with the fingertip into calm bare paper",
"color_palette": ["#19C3AC", "#7E97A8", "#141313", "#F4F1EA"]
},
{
"type": "obj",
"bbox": [230, 120, 470, 620],
"desc": "the lighthouse beam: a widening cone of acid lemon chalk laid in long confident strokes from the lamp out to the left, softened at its edges, visibly cutting a clean corridor through the static it crosses",
"color_palette": ["#F2E15C", "#FFF7C2", "#F4F1EA", "#141313"]
},
{
"type": "obj",
"bbox": [200, 590, 790, 720],
"desc": "the lighthouse itself, the most solid and carefully drawn thing on the page: a tapering stone tower with banded courses, a railed gallery and a glazed lantern room, built up in dense chalk white and warm gray with real weight, hard edges and a bright rim on the lit side so it reads as physical and real against the powder around it",
"color_palette": ["#F4F1EA", "#4A4A4A", "#B23A32", "#FFF7C2", "#141313"]
},
{
"type": "obj",
"bbox": [660, 470, 900, 900],
"desc": "a rocky point beneath the tower: blocky angular boulders scratched in white and slate chalk with hard broken strokes, their shadowed faces left as bare black paper, wet stone catching a little turquoise",
"color_palette": ["#7E97A8", "#F4F1EA", "#4A4A4A", "#141313"]
},
{
"type": "obj",
"bbox": [780, 0, 1000, 1000],
"desc": "a dark sea across the bottom: long horizontal smudged strokes of turquoise and slate over black, a scatter of chalk-white crest ticks, and a broken reflection of the lamp trailing toward the viewer",
"color_palette": ["#19C3AC", "#7E97A8", "#F4F1EA", "#141313"]
},
{
"type": "text",
"bbox": [760, 60, 860, 440],
"text": "Sculpting Static",
"desc": "headline in Jost Bold (700), geometric sans with round Futura-like letterforms, sentence case, tight tracking, set flush left over the dark sea; flat clean chalk-white letterforms, no outline, bevel or glow",
"color_palette": ["#F7F2F1"]
},
{
"type": "text",
"bbox": [878, 60, 925, 420],
"text": "Diffusion explained in 120 seconds",
"desc": "subhead in Figtree Regular (400), friendly humanist geometric sans, sentence case, normal tracking, flush left and aligned to the headline's left edge, set small and quiet beneath it; flat cool gray, fully legible",
"color_palette": ["#BABCC2"]
}
]
}
}Left: what the brief becomes when Claude explores its neighbourhood in words and Ideogram 4 renders it. Right: the same tile repainted by Qwen-Image-Edit in the reference's actual surface. Same seed, same layout, same brand type. Every image downloads with its workflow embedded.
Brief asks for 16:9 key art for "Sculpting Static": a lighthouse on a rocky point, its beam cutting a field of television static that dissolves into clear sky, patient/precise/wistful, lighthouse solid and real, with the Jost Bold headline and Figtree subhead. From the [style] reference I took only surface qualities — soft chalk and pastel sticks worked on heavy black paper, powdery pigment sitting on visible paper tooth, smudged fingertip blending, broken stick strokes, bare matte black paper used as the darkest value, and glowing light sources drawn as blooms with fibrous radiating chalk strokes. Palette sampled from it: near-black paper #141313, chalk white #F4F1EA, acid lemon #F2E15C, hot lamp core #FFF7C2, turquoise #19C3AC, dusty slate blue #7E97A8, brick red #B23A32, smudge gray #4A4A4A. Nothing from the reference's own subject matter was carried over. Brand text colours #F7F2F1 and #BABCC2 added to the image-level palette so the dark ground supports the type.
{
"high_level_description": "Landscape 16:9 key art drawn in chalk pastel on black paper: a solid, carefully rendered lighthouse stands on a rocky point at right, its acid-yellow beam sweeping left through a dense field of television static that thins and dissolves into clear open sky, with the headline \"Sculpting Static\" set low-left over the dark sea.",
"style_description": {
"aesthetics": "chalk pastel on black paper, patient, precise, a little wistful, hand-drawn scientific poetry, high contrast, generous negative black",
"lighting": "single source — the lighthouse lamp — drawn as a hot pale bloom with fibrous radiating chalk strokes; a soft widening cone of acid yellow crosses the static; everything untouched by it stays unlit bare black paper; faint chalk-white rim light on the tower's lit edge",
"medium": "illustration",
"art_style": "soft chalk and pastel sticks worked on heavy black paper; powdery pigment caught on visible paper tooth, smudged fingertip blending, broken stick strokes and scumbled edges, bare matte black paper serving as the darkest value, dusty haloes bleeding around the brightest marks, no outlines or digital cleanliness",
"color_palette": ["#141313", "#1F1D1D", "#F4F1EA", "#F2E15C", "#FFF7C2", "#19C3AC", "#7E97A8", "#B23A32", "#4A4A4A", "#F7F2F1", "#BABCC2"]
},
"compositional_deconstruction": {
"background": "Bare heavy black paper standing in for night: an unlit matte void above a low horizon, its tooth showing through every stroke, with faint dusty chalk smudges suggesting depth of atmosphere but no rendered sky detail",
"elements": [
{
"type": "obj",
"bbox": [60, 40, 620, 560],
"desc": "a dense field of television static occupying the upper-left air: thousands of short flecked chalk ticks in white, gray and pale slate stippled across the black paper, packed and agitated at the far edge, deliberately hand-made rather than mechanical",
"color_palette": ["#F4F1EA", "#7E97A8", "#4A4A4A", "#141313"]
},
{
"type": "obj",
"bbox": [40, 560, 480, 970],
"desc": "clear open sky at upper right where the static has dissolved: the flecks thin out and stop, leaving smooth swept turquoise and slate chalk blended with the fingertip into calm bare paper",
"color_palette": ["#19C3AC", "#7E97A8", "#141313", "#F4F1EA"]
},
{
"type": "obj",
"bbox": [230, 120, 470, 620],
"desc": "the lighthouse beam: a widening cone of acid lemon chalk laid in long confident strokes from the lamp out to the left, softened at its edges, visibly cutting a clean corridor through the static it crosses",
"color_palette": ["#F2E15C", "#FFF7C2", "#F4F1EA", "#141313"]
},
{
"type": "obj",
"bbox": [200, 590, 790, 720],
"desc": "the lighthouse itself, the most solid and carefully drawn thing on the page: a tapering stone tower with banded courses, a railed gallery and a glazed lantern room, built up in dense chalk white and warm gray with real weight, hard edges and a bright rim on the lit side so it reads as physical and real against the powder around it",
"color_palette": ["#F4F1EA", "#4A4A4A", "#B23A32", "#FFF7C2", "#141313"]
},
{
"type": "obj",
"bbox": [660, 470, 900, 900],
"desc": "a rocky point beneath the tower: blocky angular boulders scratched in white and slate chalk with hard broken strokes, their shadowed faces left as bare black paper, wet stone catching a little turquoise",
"color_palette": ["#7E97A8", "#F4F1EA", "#4A4A4A", "#141313"]
},
{
"type": "obj",
"bbox": [780, 0, 1000, 1000],
"desc": "a dark sea across the bottom: long horizontal smudged strokes of turquoise and slate over black, a scatter of chalk-white crest ticks, and a broken reflection of the lamp trailing toward the viewer",
"color_palette": ["#19C3AC", "#7E97A8", "#F4F1EA", "#141313"]
},
{
"type": "text",
"bbox": [760, 60, 860, 440],
"text": "Sculpting Static",
"desc": "headline in Jost Bold (700), geometric sans with round Futura-like letterforms, sentence case, tight tracking, set flush left over the dark sea; flat clean chalk-white letterforms, no outline, bevel or glow",
"color_palette": ["#F7F2F1"]
},
{
"type": "text",
"bbox": [878, 60, 925, 420],
"text": "Diffusion explained in 120 seconds",
"desc": "subhead in Figtree Regular (400), friendly humanist geometric sans, sentence case, normal tracking, flush left and aligned to the headline's left edge, set small and quiet beneath it; flat cool gray, fully legible",
"color_palette": ["#BABCC2"]
}
]
}
}{
"high_level_description": "Landscape 16:9 key art printed as a two-colour risograph: a solid lighthouse on a rocky point at right throws a fluorescent orange beam left through a field of television static made of misregistered halftone grain, which thins into flat teal open sky, with the headline \"Sculpting Static\" set low-left.",
"style_description": {
"aesthetics": "two-colour risograph poster, patient, precise, a little wistful, flat graphic, deliberately imperfect registration",
"lighting": "light described by ink coverage rather than glow: the lamp is a solid fluoro-orange disc with concentric halftone rings stepping outward; no gradients, no soft falloff, shadow is simply the absence of ink on the paper",
"medium": "illustration",
"art_style": "two-colour risograph print on uncoated stock: fluorescent orange and teal ink only, coarse halftone dot screens, visible roller streaks, slight plate misregistration leaving colour fringes, ink overlap reading as a dark third colour, flat shapes with no rendering",
"color_palette": ["#1A1A1A", "#FF6234", "#E8552A", "#19C3AC", "#0F8C7C", "#F7F2F1", "#BABCC2", "#5C5C5C"]
},
"compositional_deconstruction": {
"background": "Uncoated dark stock with a heavy flood of teal ink, its fibre showing through the screen, left as the flat unprinted-feeling void above a low horizon",
"elements": [
{
"type": "obj",
"bbox": [60, 40, 620, 560],
"desc": "a field of television static in the upper-left air made of coarse riso halftone: dot screens of orange and teal offset from each other so they fringe and moiré, dense and clotted at the far edge",
"color_palette": ["#FF6234", "#19C3AC", "#1A1A1A", "#F7F2F1"]
},
{
"type": "obj",
"bbox": [40, 560, 480, 970],
"desc": "clear open sky at upper right where the screens resolve: a flat even field of teal ink with the dot pattern falling away to nothing, calm and untextured",
"color_palette": ["#19C3AC", "#0F8C7C", "#1A1A1A"]
},
{
"type": "obj",
"bbox": [230, 120, 470, 620],
"desc": "the lighthouse beam: a hard-edged wedge of flat fluorescent orange stepping outward in three banded halftone tints, slightly out of register with the teal plate so its edge fringes",
"color_palette": ["#FF6234", "#E8552A", "#19C3AC", "#1A1A1A"]
},
{
"type": "obj",
"bbox": [200, 590, 790, 720],
"desc": "the lighthouse itself, the most solid element: a tapering banded tower with railed gallery and lantern room rendered in flat 100% ink with crisp knocked-out edges and no screen, so it sits hard and physical against all the surrounding grain",
"color_palette": ["#F7F2F1", "#FF6234", "#1A1A1A", "#19C3AC"]
},
{
"type": "obj",
"bbox": [660, 470, 900, 900],
"desc": "a rocky point beneath the tower: angular boulder shapes cut as flat teal silhouettes with a single orange tint plane for their lit faces, edges hard and vectorial",
"color_palette": ["#19C3AC", "#0F8C7C", "#FF6234", "#1A1A1A"]
},
{
"type": "obj",
"bbox": [780, 0, 1000, 1000],
"desc": "a dark sea across the bottom: horizontal bands of stepped teal halftone tints with a column of orange dots trailing from the lamp toward the viewer",
"color_palette": ["#0F8C7C", "#19C3AC", "#FF6234", "#1A1A1A"]
},
{
"type": "text",
"bbox": [760, 60, 860, 440],
"text": "Sculpting Static",
"desc": "headline in Jost Bold (700), geometric sans with round Futura-like letterforms, sentence case, tight tracking, flush left over the dark sea; knocked out of the ink as flat warm white, no outline, bevel or glow",
"color_palette": ["#F7F2F1"]
},
{
"type": "text",
"bbox": [878, 60, 925, 420],
"text": "Diffusion explained in 120 seconds",
"desc": "subhead in Figtree Regular (400), friendly humanist geometric sans, sentence case, normal tracking, flush left under the headline; flat cool gray, fully legible against the ink",
"color_palette": ["#BABCC2"]
}
]
}
}{
"high_level_description": "Landscape 16:9 key art photographed at night on a tripod: a real stone lighthouse on a rocky point at right, its beam a physical shaft through sea haze crossing a field of television static that thins into clear cold sky, with the headline \"Sculpting Static\" low-left over the smoothed sea.",
"style_description": {
"aesthetics": "cold cinematic night photograph, patient, precise, a little wistful, desaturated, high dynamic range held in the shadows",
"lighting": "a twenty-second exposure under a moonless sky: the lamp is a blown pale core with real optical halation and a visible volumetric shaft through marine haze; everything else lit only by faint ambient skyglow, shadows deep but never crushed to pure black",
"photo": "full-frame mirrorless on a tripod, 35mm prime at f/2, 20 seconds, ISO 400, natural lens vignetting, fine luminance grain, slight veiling flare around the lamp, water smoothed to silk by the exposure",
"medium": "photograph",
"color_palette": ["#0B0E12", "#1B222B", "#C9D4DC", "#F5EFD8", "#E8C96A", "#3F5A63", "#6D7E88", "#F7F2F1", "#BABCC2"]
},
"compositional_deconstruction": {
"background": "A moonless coastal night sky, deep blue-black with a faint gradient of skyglow near the horizon, softened by sea haze",
"elements": [
{
"type": "obj",
"bbox": [60, 40, 620, 560],
"desc": "a field of television static hanging in the upper-left air, captured as real luminous interference: fine bright specks and drifting sensor-grain sparkle suspended in the haze, dense and crawling at the far edge",
"color_palette": ["#C9D4DC", "#6D7E88", "#1B222B", "#0B0E12"]
},
{
"type": "obj",
"bbox": [40, 560, 480, 970],
"desc": "clear open sky at upper right where the interference has resolved: clean smooth night air, faint cool gradient, a few pinprick stars held sharp by the exposure",
"color_palette": ["#0B0E12", "#1B222B", "#3F5A63", "#C9D4DC"]
},
{
"type": "obj",
"bbox": [230, 120, 470, 620],
"desc": "the lighthouse beam: a genuine volumetric shaft of warm light raking left through the haze, edges soft with scatter, brighter where it burns a corridor through the suspended static",
"color_palette": ["#F5EFD8", "#E8C96A", "#C9D4DC", "#1B222B"]
},
{
"type": "obj",
"bbox": [200, 590, 790, 720],
"desc": "the lighthouse itself, sharply focused and unmistakably physical: weathered painted stone with visible mortar courses and salt staining, a steel railed gallery and a glazed lantern room with its optic burning inside, cold ambient light modelling its seaward face",
"color_palette": ["#C9D4DC", "#6D7E88", "#F5EFD8", "#3F5A63", "#0B0E12"]
},
{
"type": "obj",
"bbox": [660, 470, 900, 900],
"desc": "a rocky point beneath the tower: wet granite boulders with real texture and lichen, their tops catching the faint skyglow, their crevices dropping into deep blue shadow",
"color_palette": ["#3F5A63", "#6D7E88", "#1B222B", "#0B0E12"]
},
{
"type": "obj",
"bbox": [780, 0, 1000, 1000],
"desc": "a dark sea across the bottom, smoothed to silk by the long exposure: motion-blurred swell reading as soft milky bands, with a broken column of lamp reflection stretched toward the viewer",
"color_palette": ["#1B222B", "#3F5A63", "#C9D4DC", "#0B0E12"]
},
{
"type": "text",
"bbox": [760, 60, 860, 440],
"text": "Sculpting Static",
"desc": "headline in Jost Bold (700), geometric sans with round Futura-like letterforms, sentence case, tight tracking, flush left over the smoothed dark sea; flat warm white, no outline, bevel or glow",
"color_palette": ["#F7F2F1"]
},
{
"type": "text",
"bbox": [878, 60, 925, 420],
"text": "Diffusion explained in 120 seconds",
"desc": "subhead in Figtree Regular (400), friendly humanist geometric sans, sentence case, normal tracking, flush left beneath the headline; flat cool gray, fully legible",
"color_palette": ["#BABCC2"]
}
]
}
}{
"high_level_description": "Landscape 16:9 key art painted in opaque gouache on warm rag paper at dawn: a solid lighthouse on a rocky point at right sends a pale beam left through a field of television static stippled in cool grays, which dissolves into a warm peach and amber morning sky, with the headline \"Sculpting Static\" low-left.",
"style_description": {
"aesthetics": "opaque gouache on warm rag paper, patient, precise, a little wistful, muted and warm, matte and velvety",
"lighting": "the ambivalent light of first dawn: a warm amber wash rising from the right horizon competing with the lighthouse's now-fading pale lamp, everything softly modelled with no hard specular, shadows painted as warm violet-brown rather than black",
"medium": "painting",
"art_style": "opaque gouache laid in flat velvety layers on cold-press rag paper, visible brush chatter and dry-brush edges, tiny stipple and spatter for texture, colours mixed with white so they sit chalky and matte, paper tooth breaking the darkest passages",
"color_palette": ["#2E2A33", "#5C4B52", "#E8B98C", "#F3D6A8", "#C9705A", "#8FA0A8", "#4F6670", "#F0EAE0", "#F7F2F1", "#BABCC2"]
},
"compositional_deconstruction": {
"background": "Warm cold-press rag paper carrying a broad graded dawn wash — dusty violet at the top edge easing down into peach and pale amber near the horizon — with brush chatter left visible",
"elements": [
{
"type": "obj",
"bbox": [60, 40, 620, 560],
"desc": "a field of television static in the upper-left air: dry-brush stipple and flicked spatter in cool gray and blue-violet gouache over the dawn wash, dense and clotted at the far edge, every mark clearly made by a loaded brush",
"color_palette": ["#8FA0A8", "#5C4B52", "#4F6670", "#F0EAE0"]
},
{
"type": "obj",
"bbox": [40, 560, 480, 970],
"desc": "clear open sky at upper right where the static has dissolved: smooth flat gouache passages of peach and pale amber, softly blended, entirely free of stipple",
"color_palette": ["#E8B98C", "#F3D6A8", "#C9705A", "#8FA0A8"]
},
{
"type": "obj",
"bbox": [230, 120, 470, 620],
"desc": "the lighthouse beam: a widening wedge of pale cream gouache brushed left in long confident strokes, semi-opaque so the dawn wash reads through it, clearing a visible corridor in the stipple",
"color_palette": ["#F3D6A8", "#F0EAE0", "#E8B98C", "#8FA0A8"]
},
{
"type": "obj",
"bbox": [200, 590, 790, 720],
"desc": "the lighthouse itself, the most solid and carefully painted thing on the sheet: a tapering banded stone tower with railed gallery and glazed lantern room, built in thick opaque strokes with crisp edges and real modelled weight, a warm dawn plane on one side and a cool violet plane on the other",
"color_palette": ["#F0EAE0", "#C9705A", "#5C4B52", "#E8B98C", "#4F6670"]
},
{
"type": "obj",
"bbox": [660, 470, 900, 900],
"desc": "a rocky point beneath the tower: blocky boulders painted as decisive flat planes of warm brown and cool slate, dry-brushed edges, wet faces catching a little amber",
"color_palette": ["#5C4B52", "#4F6670", "#8FA0A8", "#E8B98C"]
},
{
"type": "obj",
"bbox": [780, 0, 1000, 1000],
"desc": "a dark sea across the bottom: long horizontal gouache strokes of muted slate and violet with warm amber crest ticks and a broken reflection of the lamp trailing toward the viewer",
"color_palette": ["#4F6670", "#5C4B52", "#E8B98C", "#2E2A33"]
},
{
"type": "text",
"bbox": [760, 60, 860, 440],
"text": "Sculpting Static",
"desc": "headline in Jost Bold (700), geometric sans with round Futura-like letterforms, sentence case, tight tracking, flush left over the deep-toned sea; flat warm white, cleanly applied with no outline, bevel or glow",
"color_palette": ["#F7F2F1"]
},
{
"type": "text",
"bbox": [878, 60, 925, 420],
"text": "Diffusion explained in 120 seconds",
"desc": "subhead in Figtree Regular (400), friendly humanist geometric sans, sentence case, normal tracking, flush left beneath the headline; flat cool gray, fully legible",
"color_palette": ["#BABCC2"]
}
]
}
}{
"high_level_description": "Landscape 16:9 key art in the manner of a 1960s screenprinted science-textbook plate on aged cream stock: a stylised lighthouse on a rocky point at right emits a schematic beam left across a field of television static drawn as a regular tick matrix, which resolves into blank paper sky, with the headline \"Sculpting Static\" low-left.",
"style_description": {
"aesthetics": "1960s screenprinted science-textbook plate, patient, precise, a little wistful, diagrammatic, restrained and instructional",
"lighting": "light indicated rather than depicted: the lamp is a small solid disc with a fan of ruled radiating rules, illumination shown by graduated tint bands and hatch density instead of any rendered glow, no cast shadows",
"medium": "illustration",
"art_style": "limited-run screenprint on aged cream stock in the lineage of mid-century science and technical plates: three flat spot inks plus paper, ruled linework, uniform hatch and tick matrices, simple geometric abstraction of natural form, slight ink misregistration and plate texture, generous unprinted margins",
"color_palette": ["#EDE6D4", "#202124", "#C7431F", "#2E6E7E", "#7FA8AF", "#D9C9A3", "#000000"]
},
"compositional_deconstruction": {
"background": "Aged cream printing stock, largely unprinted, with a faint tint band across the lower third to seat the horizon and visible paper fibre under the ink",
"elements": [
{
"type": "obj",
"bbox": [60, 40, 620, 560],
"desc": "a field of television static in the upper-left air rendered as a regular diagrammatic matrix: rows of short uniform ticks in charcoal and teal ink, densest at the far edge and thinning by exact steps, more data plot than atmosphere",
"color_palette": ["#202124", "#2E6E7E", "#7FA8AF", "#EDE6D4"]
},
{
"type": "obj",
"bbox": [40, 560, 480, 970],
"desc": "clear open sky at upper right where the matrix terminates: bare unprinted cream stock, entirely empty, its blankness doing the work of clarity",
"color_palette": ["#EDE6D4", "#D9C9A3", "#7FA8AF"]
},
{
"type": "obj",
"bbox": [230, 120, 470, 620],
"desc": "the lighthouse beam: a schematic fan of evenly ruled rust-red lines spreading left from the lamp, bounded by two clean straight edges, with the tick matrix simply omitted inside the fan to show the clearing",
"color_palette": ["#C7431F", "#202124", "#EDE6D4", "#2E6E7E"]
},
{
"type": "obj",
"bbox": [200, 590, 790, 720],
"desc": "the lighthouse itself, drawn as the one fully resolved object on the plate: a tapering tower reduced to clean geometry with ruled band divisions, a hatched gallery and a solid lantern, printed in flat rust and charcoal with crisp registration so it reads solid amid the schematics",
"color_palette": ["#C7431F", "#202124", "#EDE6D4", "#2E6E7E"]
},
{
"type": "obj",
"bbox": [660, 470, 900, 900],
"desc": "a rocky point beneath the tower: boulders abstracted to angular faceted polygons filled with two densities of parallel hatching in charcoal and teal",
"color_palette": ["#2E6E7E", "#202124", "#7FA8AF", "#D9C9A3"]
},
{
"type": "obj",
"bbox": [780, 0, 1000, 1000],
"desc": "a dark sea across the bottom: ruled horizontal line rules stepping in weight to suggest recession, a flat teal tint band beneath them, and a simple dashed axis marking the lamp's reflection",
"color_palette": ["#2E6E7E", "#7FA8AF", "#202124", "#D9C9A3"]
},
{
"type": "text",
"bbox": [760, 60, 860, 440],
"text": "Sculpting Static",
"desc": "headline in Jost Bold (700), geometric sans with round Futura-like letterforms, all caps, tight tracking, flush left in the plate's lower-left margin over the pale ground; flat charcoal, no outline, bevel or glow",
"color_palette": ["#202124"]
},
{
"type": "text",
"bbox": [878, 60, 925, 420],
"text": "Diffusion explained in 120 seconds",
"desc": "subhead in Figtree Medium (500), friendly humanist geometric sans, sentence case, normal tracking, flush left beneath the headline like a plate caption; flat black, fully legible on the cream stock",
"color_palette": ["#000000"]
}
]
}
}{
"high_level_description": "Landscape 16:9 key art as a sparse physically-based 3D render: a matte slate lighthouse model on a small rocky point at right casts a thin volumetric beam left through a sparse drifting cloud of television static particles that dissipates into empty gradient sky, with the headline \"Sculpting Static\" low-left in a great deal of open space.",
"style_description": {
"aesthetics": "minimal physically-based CG render, patient, precise, a little wistful, spare and quiet, vast negative space, product-shot restraint",
"lighting": "a single warm area light inside the lantern plus a very low cool ambient dome; true volumetric scattering gives the beam physical depth, soft raytraced shadows, gentle falloff, no bloom beyond a faint physical glare on the lamp",
"medium": "3d_render",
"art_style": "clean physically-based render at high sample count: matte micro-roughened slate and concrete materials, subtle surface displacement, shallow depth of field on the far particles, neutral studio-like colour grade, minimal geometry with most of the frame left as empty air",
"color_palette": ["#12161A", "#232B33", "#59646E", "#A8B2BA", "#E4E9EC", "#F2C97A", "#7CA8A0", "#F7F2F1", "#BABCC2"]
},
"compositional_deconstruction": {
"background": "An almost empty smooth vertical gradient from deep charcoal at the top to a faint cool gray near the horizon, rendered clean with no texture — mostly untouched air",
"elements": [
{
"type": "obj",
"bbox": [60, 40, 620, 560],
"desc": "a sparse field of television static in the upper-left air: a thin drifting cloud of tiny emissive particles rendered with depth of field so the far ones blur to soft dots, far fewer and further apart than a full noise field, reading as scattered rather than dense",
"color_palette": ["#A8B2BA", "#59646E", "#E4E9EC", "#12161A"]
},
{
"type": "obj",
"bbox": [40, 560, 480, 970],
"desc": "clear open sky at upper right where the particles have dissipated entirely: perfectly clean rendered gradient, no geometry, no grain, an expanse of pure empty space",
"color_palette": ["#12161A", "#232B33", "#59646E"]
},
{
"type": "obj",
"bbox": [230, 120, 470, 620],
"desc": "the lighthouse beam: a genuine volumetric light cone with physical scattering, narrow and restrained, its density falling off with distance, brightening slightly where it passes through the sparse particles",
"color_palette": ["#F2C97A", "#E4E9EC", "#A8B2BA", "#232B33"]
},
{
"type": "obj",
"bbox": [200, 590, 790, 720],
"desc": "the lighthouse itself, the render's single hero object: a precisely modelled tapering tower in matte micro-roughened concrete with subtle displacement in the band joins, a thin steel gallery rail and a glass lantern housing a warm emissive source, crisply lit and grounded with a soft contact shadow so it reads unambiguously solid",
"color_palette": ["#E4E9EC", "#59646E", "#F2C97A", "#232B33", "#12161A"]
},
{
"type": "obj",
"bbox": [660, 470, 900, 900],
"desc": "a small rocky point beneath the tower: a handful of large low-poly displaced granite forms, matte and slightly damp, most of the original rock mass omitted so the base sits compact and isolated",
"color_palette": ["#59646E", "#232B33", "#A8B2BA", "#12161A"]
},
{
"type": "obj",
"bbox": [780, 0, 1000, 1000],
"desc": "a calm dark sea across the bottom: a nearly flat reflective plane with very low displacement, mirroring the lamp as a single clean elongated highlight and otherwise almost featureless",
"color_palette": ["#232B33", "#12161A", "#7CA8A0", "#F2C97A"]
},
{
"type": "text",
"bbox": [760, 60, 860, 440],
"text": "Sculpting Static",
"desc": "headline in Jost Bold (700), geometric sans with round Futura-like letterforms, sentence case, tight tracking, flush left in the wide empty lower-left area; flat warm white composited cleanly with no outline, bevel or glow",
"color_palette": ["#F7F2F1"]
},
{
"type": "text",
"bbox": [878, 60, 925, 420],
"text": "Diffusion explained in 120 seconds",
"desc": "subhead in Figtree Regular (400), friendly humanist geometric sans, sentence case, normal tracking, flush left beneath the headline with generous air around it; flat cool gray, fully legible",
"color_palette": ["#BABCC2"]
}
]
}
}TEXT BRAND (mandatory): K-State Consulting "Side Car" Fonts (name them in every text element's desc, with weight): - Headline: Jost Bold (700), a geometric sans-serif with round, Futura-like letterforms, tight tracking, sentence case or all caps. - Subhead / body: Figtree Regular (400) or Medium (500), a friendly humanist geometric sans-serif, normal tracking, sentence case. Text colours (use ONLY these hexes in text elements' color_palette; choose by the scene's ground): - On dark grounds: headline Warm White #F7F2F1, subhead Cool Gray #BABCC2. - On light grounds: headline Charcoal #202124, subhead Black #000000. - One accent word or the whole headline may use Orange #FF6234 or Purple #AB4FF6 when the scene's palette can carry it; never both accents in one text element. - Never other colours, gradients, outlines, bevels or glow on the letters: flat, clean, legible. Rules: - The brand owns the type; the reference image owns everything else (medium, materials, palette of the imagery, lighting). - Text elements keep the brand in every adjacent direction. The "typographic voice" axis may only vary size, case, tracking and placement, never typeface or colour. - Add #F7F2F1 or #202124 (whichever the text uses) to the image-level color_palette so the ground supports the text.
a-chalk-pastel-artwork-on-black-paper-de_V_seXJJ9SH-Ui1DTgOKbvw_dWfCtc0hT6ydCZ-R8gQ2wg.png (role: style), shown at the top. It is not rendered from; Claude reads it for surface qualities in step 2 and Qwen sees it as image 2 in step 6.
Claude reads the brief and the reference image shown at the top (style only: it may take medium, materials, palette and light, never the subject) and writes one canonical Ideogram 4 caption plus five adjacent directions. Each adjacent keeps the subject and composition and shifts one or two named axes. Text elements follow the brand block; the reference never touches the type.
BRIEF: Key art for "Sculpting Static", a short explainer about how diffusion video models carve a clean image out of noise. Hero image: a lighthouse on a rocky point, its beam cutting through a field of television static that is dissolving into clear sky around it. Mood: patient, precise, a little wistful. The lighthouse itself must read as solid and real. Text, rendered exactly: - Headline: "Sculpting Static" - Subhead: "Diffusion explained in 120 seconds" The reference image sets the medium, palette, texture and typographic voice. Landscape 16:9. Target aspect ratio: 16:9. Produce the canonical caption plus exactly 5 adjacent directions. TEXT BRAND (mandatory): K-State Consulting "Side Car" Fonts (name them in every text element's desc, with weight): - Headline: Jost Bold (700), a geometric sans-serif with round, Futura-like letterforms, tight tracking, sentence case or all caps. - Subhead / body: Figtree Regular (400) or Medium (500), a friendly humanist geometric sans-serif, normal tracking, sentence case. Text colours (use ONLY these hexes in text elements' color_palette; choose by the scene's ground): - On dark grounds: headline Warm White #F7F2F1, subhead Cool Gray #BABCC2. - On light grounds: headline Charcoal #202124, subhead Black #000000. - One accent word or the whole headline may use Orange #FF6234 or Purple #AB4FF6 when the scene's palette can carry it; never both accents in one text element. - Never other colours, gradients, outlines, bevels or glow on the letters: flat, clean, legible. Rules: - The brand owns the type; the reference image owns everything else (medium, materials, palette of the imagery, lighting). - Text elements keep the brand in every adjacent direction. The "typographic voice" axis may only vary size, case, tracking and placement, never typeface or colour. - Add #F7F2F1 or #202124 (whichever the text uses) to the image-level color_palette so the ground supports the text. REFERENCE IMAGES (read each file with the Read tool before answering): - [style] /Users/kellyabbott/Documents/ComfyUI/projects/art-direction-audition/briefs/art directions/a-chalk-pastel-artwork-on-black-paper-de_V_seXJJ9SH-Ui1DTgOKbvw_dWfCtc0hT6ydCZ-R8gQ2wg.png
You are an art director's technical assistant. Your job: turn a creative brief (text, plus optional reference images) into ONE canonical Ideogram 4 structured JSON caption, then propose N ADJACENT art directions as further captions, so the team can audition them side by side.
# Ideogram 4 caption schema (strict)
```
{
"high_level_description": "one or two sentences summarising the whole image",
"style_description": {
"aesthetics": "keywords, e.g. moody, cinematic, desaturated",
"lighting": "lighting description",
"photo": "camera/lens details (ONLY for medium = photograph)",
"medium": "photograph | illustration | 3d_render | painting | graphic_design",
"art_style": "style description (ONLY for non-photograph media)",
"color_palette": ["#RRGGBB", ...] // up to 16, uppercase hex
},
"compositional_deconstruction": {
"background": "the environment / ground / backdrop",
"elements": [
{"type": "obj", "bbox": [y_min, x_min, y_max, x_max], "desc": "...", "color_palette": ["#RRGGBB"]},
{"type": "text", "bbox": [y_min, x_min, y_max, x_max], "text": "LITERAL COPY", "desc": "typographic treatment", "color_palette": ["#RRGGBB"]}
]
}
}
```
Rules:
- style_description contains EXACTLY ONE of `photo` or `art_style`, matching `medium` (photograph -> photo; anything else -> art_style).
- bbox is optional; when used it is integers on a 0..1000 grid, origin top-left, order [y_min, x_min, y_max, x_max]. Use bboxes when layout matters (posters, UI, text placement); omit them for free compositions.
- Element `color_palette` has at most 5 colours. Image-level palette at most 16. Hex must be uppercase.
- `text` elements render the `text` string byte-for-byte. Only add text elements when the brief supplies copy; never invent slogans.
- Hex palettes are DIRECTION, prose is INTERPRETATION: encode the palette as hex, then describe materials, era and mood in prose.
- Never mention living artists by name. Describe the lineage instead ("mid-century Swiss poster", "1970s NASA technical illustration").
# What "adjacent" means
The canonical caption is the most literal, faithful reading of the brief and the references.
An ADJACENT direction keeps the brief's intent and subject and shifts ONE or TWO axes so the result still belongs to the same family but reads as a distinct look. Axes:
- medium (photograph / illustration / 3d_render / painting / graphic_design)
- palette (temperature, saturation, contrast, number of colours)
- era or reference lineage (the design tradition the look descends from)
- lighting (key, quality, direction, time of day)
- typographic voice (only when the brief includes copy)
- level of abstraction (literal -> stylised -> symbolic)
- material and texture (paper, film grain, glossy render, ink, fabric)
- composition density (sparse -> dense; single hero -> ensemble)
Requirements for the N adjacent directions:
1. Same subject and the same core composition as canonical: keep `compositional_deconstruction.elements` (their count, their roles and their bboxes when present) unless the axis you shift genuinely requires a change; only rewrite `desc` to match the new look.
2. Each adjacent direction names its axis (or pair of axes) and gives a one-line rationale for why it is a plausible neighbour of THIS brief.
3. The N directions are mutually distinct: no repeated axis pair, and every one differs from canonical on at least one axis. Include at least one medium shift and at least one palette shift across the set.
4. Do not "improve" the brief or change its idea. Audition a different LOOK, not a different concept.
5. Each `name` is short kebab-case that describes the look (e.g. "gouache-warm", "risograph-two-tone", "studio-photo-cool"). Do not number the names.
6. Give each adjacent direction its own `high_level_description` rewritten to match its look, and its own `style_description` (changed on the shifted axes, kept identical elsewhere).
# Text brand
When the user prompt contains a TEXT BRAND block, it is mandatory: every `text` element names the brand's typeface and weight in its `desc` and uses only the brand's hexes in its `color_palette`, in canonical and in every adjacent direction. The reference image never changes the type. The "typographic voice" axis then means size, case, tracking and placement only.
# Reference images
When reference image paths are given, READ every one before answering. A reference tagged `style` informs style_description and the palette (extract 5 to 8 dominant hex colours from it). A reference tagged `subject` informs high_level_description and the elements only, never the style. Say in `summary` what you took from each reference.
# Restyle prompt (only when at least one `style` reference is given)
Also write `restyle_prompt`: one paragraph (60 to 120 words) for an image-editing model that will repaint an already-rendered tile (image 1) into the reference's look (image 2). It must LEAD with the transformation ("Transform image 1 into ..."), name the reference's medium, materials, surface finish, palette in words (never hex), lighting and backdrop treatment concretely, and state that every surface of IMAGE 1's OWN scene adopts them, naming image 1's subject and elements (for example 'the lighthouse, the rocks, the beam, the static and the sea become ...'). NEVER name or describe any object, person, figure, room, prop or setting that appears in image 2: the editor will paste it in. Image 2 contributes only surface qualities. END with exactly this sentence: "Keep the layout of image 1 and keep its text exactly as it is: same letters, typeface and colours, fully legible." Do not mention preserving anything else: words spent on preservation make the editor preserve.
# Restyle reference mode (only when at least one `style` reference is given)
Also write `restyle_ref_mode`: "palette" if the reference has a dominant subject that an image editor would be tempted to paste into the scene (a person, face, figure, creature, or a single hero object in front of a backdrop); "full" if the reference is a texture, material, pattern, landscape, interior, abstract, typographic or graphic composition without such a subject. With "palette" the editor is shown only a blurred colour-field of the reference (its palette and light survive; its subject does not).
# Output
Respond with ONE JSON object and nothing else (no markdown fences, no commentary):
```
{
"canonical": {"name": "canonical", "summary": "what the brief asks for and what you took from each reference", "prompt": {caption}},
"adjacent": [
{"name": "kebab-name", "axis": "medium + palette", "rationale": "one line", "prompt": {caption}},
...
],
"restyle_prompt": "Transform image 1 into ... Keep the layout of image 1 and keep its text exactly as it is: same letters, typeface and colours, fully legible.",
"restyle_ref_mode": "full"
}
```
Stored with the run for reading intent; never sent to an image model. The prompt itself is the JSON caption under tile 00.
Brief asks for 16:9 key art for "Sculpting Static": a lighthouse on a rocky point, its beam cutting a field of television static that dissolves into clear sky, patient/precise/wistful, lighthouse solid and real, with the Jost Bold headline and Figtree subhead. From the [style] reference I took only surface qualities — soft chalk and pastel sticks worked on heavy black paper, powdery pigment sitting on visible paper tooth, smudged fingertip blending, broken stick strokes, bare matte black paper used as the darkest value, and glowing light sources drawn as blooms with fibrous radiating chalk strokes. Palette sampled from it: near-black paper #141313, chalk white #F4F1EA, acid lemon #F2E15C, hot lamp core #FFF7C2, turquoise #19C3AC, dusty slate blue #7E97A8, brick red #B23A32, smudge gray #4A4A4A. Nothing from the reference's own subject matter was carried over. Brand text colours #F7F2F1 and #BABCC2 added to the image-level palette so the dark ground supports the type.
| # | Direction | Axis | Why it is a plausible neighbour |
|---|---|---|---|
| 00 | canonical | original | Brief asks for 16:9 key art for "Sculpting Static": a lighthouse on a rocky point, its beam cutting a field of television static that dissolves into clear sky, patient/precise/wistful, lighthouse solid and real, with the Jost Bold headline and Figtree subhead. From the [style] reference I took only surface qualities — soft chalk and pastel sticks worked on heavy black paper, powdery pigment sitting on visible paper tooth, smudged fingertip blending, broken stick strokes, bare matte black paper used as the darkest value, and glowing light sources drawn as blooms with fibrous radiating chalk strokes. Palette sampled from it: near-black paper #141313, chalk white #F4F1EA, acid lemon #F2E15C, hot lamp core #FFF7C2, turquoise #19C3AC, dusty slate blue #7E97A8, brick red #B23A32, smudge gray #4A4A4A. Nothing from the reference's own subject matter was carried over. Brand text colours #F7F2F1 and #BABCC2 added to the image-level palette so the dark ground supports the type. |
| 01 | riso-two-tone-fluoro | medium + palette | Static is fundamentally a printing artefact, so a two-colour riso — where misregistration and grain ARE the noise — is the same idea told in ink instead of chalk. |
| 02 | long-exposure-photo-cool | medium + lighting | "The lighthouse must read as solid and real" is easiest to prove photographically, and a tripod long exposure turns the sea into the same smooth resolved field the static is dissolving toward. |
| 03 | gouache-dawn-warm | palette + material and texture | Same chalky hand-made lineage and same scene, but swung from cold night to a warm dawn in opaque gouache — noise dissolving into first light is the wistful reading of the brief. |
| 04 | midcentury-science-plate | era or lineage + level of abstraction | An explainer about signal and noise sits naturally in the 1960s science-textbook plate tradition, where the beam becomes a diagram of itself rather than a depicted light. |
| 05 | slate-3d-render-sparse | medium + composition density | Carving a clean form out of noise is literally what a renderer does, so a stripped-back physically-lit CG shot with far more empty air makes the brief's metaphor the material itself. |
Every caption is normalised (strict key order, uppercase hex, bounding boxes on a 0–1000 grid) and sent verbatim to the local Ideogram 4 graph. Under each tile: the Ideogram prompt (the structured JSON the text encoder receives) and the exact ComfyUI workflow that was queued, with that prompt embedded in its CLIPTextEncode node ("from PNG" = read from the tile metadata; "rebuilt" = regenerated through the same code path for tiles that predate metadata preservation).
{
"high_level_description": "Landscape 16:9 key art drawn in chalk pastel on black paper: a solid, carefully rendered lighthouse stands on a rocky point at right, its acid-yellow beam sweeping left through a dense field of television static that thins and dissolves into clear open sky, with the headline \"Sculpting Static\" set low-left over the dark sea.",
"style_description": {
"aesthetics": "chalk pastel on black paper, patient, precise, a little wistful, hand-drawn scientific poetry, high contrast, generous negative black",
"lighting": "single source — the lighthouse lamp — drawn as a hot pale bloom with fibrous radiating chalk strokes; a soft widening cone of acid yellow crosses the static; everything untouched by it stays unlit bare black paper; faint chalk-white rim light on the tower's lit edge",
"medium": "illustration",
"art_style": "soft chalk and pastel sticks worked on heavy black paper; powdery pigment caught on visible paper tooth, smudged fingertip blending, broken stick strokes and scumbled edges, bare matte black paper serving as the darkest value, dusty haloes bleeding around the brightest marks, no outlines or digital cleanliness",
"color_palette": ["#141313", "#1F1D1D", "#F4F1EA", "#F2E15C", "#FFF7C2", "#19C3AC", "#7E97A8", "#B23A32", "#4A4A4A", "#F7F2F1", "#BABCC2"]
},
"compositional_deconstruction": {
"background": "Bare heavy black paper standing in for night: an unlit matte void above a low horizon, its tooth showing through every stroke, with faint dusty chalk smudges suggesting depth of atmosphere but no rendered sky detail",
"elements": [
{
"type": "obj",
"bbox": [60, 40, 620, 560],
"desc": "a dense field of television static occupying the upper-left air: thousands of short flecked chalk ticks in white, gray and pale slate stippled across the black paper, packed and agitated at the far edge, deliberately hand-made rather than mechanical",
"color_palette": ["#F4F1EA", "#7E97A8", "#4A4A4A", "#141313"]
},
{
"type": "obj",
"bbox": [40, 560, 480, 970],
"desc": "clear open sky at upper right where the static has dissolved: the flecks thin out and stop, leaving smooth swept turquoise and slate chalk blended with the fingertip into calm bare paper",
"color_palette": ["#19C3AC", "#7E97A8", "#141313", "#F4F1EA"]
},
{
"type": "obj",
"bbox": [230, 120, 470, 620],
"desc": "the lighthouse beam: a widening cone of acid lemon chalk laid in long confident strokes from the lamp out to the left, softened at its edges, visibly cutting a clean corridor through the static it crosses",
"color_palette": ["#F2E15C", "#FFF7C2", "#F4F1EA", "#141313"]
},
{
"type": "obj",
"bbox": [200, 590, 790, 720],
"desc": "the lighthouse itself, the most solid and carefully drawn thing on the page: a tapering stone tower with banded courses, a railed gallery and a glazed lantern room, built up in dense chalk white and warm gray with real weight, hard edges and a bright rim on the lit side so it reads as physical and real against the powder around it",
"color_palette": ["#F4F1EA", "#4A4A4A", "#B23A32", "#FFF7C2", "#141313"]
},
{
"type": "obj",
"bbox": [660, 470, 900, 900],
"desc": "a rocky point beneath the tower: blocky angular boulders scratched in white and slate chalk with hard broken strokes, their shadowed faces left as bare black paper, wet stone catching a little turquoise",
"color_palette": ["#7E97A8", "#F4F1EA", "#4A4A4A", "#141313"]
},
{
"type": "obj",
"bbox": [780, 0, 1000, 1000],
"desc": "a dark sea across the bottom: long horizontal smudged strokes of turquoise and slate over black, a scatter of chalk-white crest ticks, and a broken reflection of the lamp trailing toward the viewer",
"color_palette": ["#19C3AC", "#7E97A8", "#F4F1EA", "#141313"]
},
{
"type": "text",
"bbox": [760, 60, 860, 440],
"text": "Sculpting Static",
"desc": "headline in Jost Bold (700), geometric sans with round Futura-like letterforms, sentence case, tight tracking, set flush left over the dark sea; flat clean chalk-white letterforms, no outline, bevel or glow",
"color_palette": ["#F7F2F1"]
},
{
"type": "text",
"bbox": [878, 60, 925, 420],
"text": "Diffusion explained in 120 seconds",
"desc": "subhead in Figtree Regular (400), friendly humanist geometric sans, sentence case, normal tracking, flush left and aligned to the headline's left edge, set small and quiet beneath it; flat cool gray, fully legible",
"color_palette": ["#BABCC2"]
}
]
}
}{
"1": {
"class_type": "UNETLoader",
"inputs": {
"unet_name": "ideogram4_fp8_scaled.safetensors",
"weight_dtype": "default"
}
},
"2": {
"class_type": "UNETLoader",
"inputs": {
"unet_name": "ideogram4_unconditional_fp8_scaled.safetensors",
"weight_dtype": "default"
}
},
"3": {
"class_type": "CFGOverride",
"inputs": {
"model": [
"1",
0
],
"cfg": 3.0,
"start_percent": 0.7,
"end_percent": 1.0
}
},
"4": {
"class_type": "CLIPLoader",
"inputs": {
"clip_name": "qwen3vl_8b_fp8_scaled.safetensors",
"type": "ideogram4",
"device": "default"
}
},
"5": {
"class_type": "CLIPTextEncode",
"inputs": {
"clip": [
"4",
0
],
"text": "{\n \"high_level_description\": \"Landscape 16:9 key art drawn in chalk pastel on black paper: a solid, carefully rendered lighthouse stands on a rocky point at right, its acid-yellow beam sweeping left through a dense field of television static that thins and dissolves into clear open sky, with the headline \\\"Sculpting Static\\\" set low-left over the dark sea.\",\n \"style_description\": {\n \"aesthetics\": \"chalk pastel on black paper, patient, precise, a little wistful, hand-drawn scientific poetry, high contrast, generous negative black\",\n \"lighting\": \"single source — the lighthouse lamp — drawn as a hot pale bloom with fibrous radiating chalk strokes; a soft widening cone of acid yellow crosses the static; everything untouched by it stays unlit bare black paper; faint chalk-white rim light on the tower's lit edge\",\n \"medium\": \"illustration\",\n \"art_style\": \"soft chalk and pastel sticks worked on heavy black paper; powdery pigment caught on visible paper tooth, smudged fingertip blending, broken stick strokes and scumbled edges, bare matte black paper serving as the darkest value, dusty haloes bleeding around the brightest marks, no outlines or digital cleanliness\",\n \"color_palette\": [\"#141313\", \"#1F1D1D\", \"#F4F1EA\", \"#F2E15C\", \"#FFF7C2\", \"#19C3AC\", \"#7E97A8\", \"#B23A32\", \"#4A4A4A\", \"#F7F2F1\", \"#BABCC2\"]\n },\n \"compositional_deconstruction\": {\n \"background\": \"Bare heavy black paper standing in for night: an unlit matte void above a low horizon, its tooth showing through every stroke, with faint dusty chalk smudges suggesting depth of atmosphere but no rendered sky detail. The lower left part of the frame stays open and uncluttered: the background simply continues there, with no objects, details, panels or lettering, as quiet breathing space.\",\n \"elements\": [\n {\n \"type\": \"obj\",\n \"bbox\": [60, 40, 620, 560],\n \"desc\": \"a dense field of television static occupying the upper-left air: thousands of short flecked chalk ticks in white, gray and pale slate stippled across the black paper, packed and agitated at the far edge, deliberately hand-made rather than mechanical\",\n \"color_palette\": [\"#F4F1EA\", \"#7E97A8\", \"#4A4A4A\", \"#141313\"]\n },\n {\n \"type\": \"obj\",\n \"bbox\": [40, 560, 480, 970],\n \"desc\": \"clear open sky at upper right where the static has dissolved: the flecks thin out and stop, leaving smooth swept turquoise and slate chalk blended with the fingertip into calm bare paper\",\n \"color_palette\": [\"#19C3AC\", \"#7E97A8\", \"#141313\", \"#F4F1EA\"]\n },\n {\n \"type\": \"obj\",\n \"bbox\": [230, 120, 470, 620],\n \"desc\": \"the lighthouse beam: a widening cone of acid lemon chalk laid in long confident strokes from the lamp out to the left, softened at its edges, visibly cutting a clean corridor through the static it crosses\",\n \"color_palette\": [\"#F2E15C\", \"#FFF7C2\", \"#F4F1EA\", \"#141313\"]\n },\n {\n \"type\": \"obj\",\n \"bbox\": [200, 590, 790, 720],\n \"desc\": \"the lighthouse itself, the most solid and carefully drawn thing on the page: a tapering stone tower with banded courses, a railed gallery and a glazed lantern room, built up in dense chalk white and warm gray with real weight, hard edges and a bright rim on the lit side so it reads as physical and real against the powder around it\",\n \"color_palette\": [\"#F4F1EA\", \"#4A4A4A\", \"#B23A32\", \"#FFF7C2\", \"#141313\"]\n },\n {\n \"type\": \"obj\",\n \"bbox\": [660, 470, 900, 900],\n \"desc\": \"a rocky point beneath the tower: blocky angular boulders scratched in white and slate chalk with hard broken strokes, their shadowed faces left as bare black paper, wet stone catching a little turquoise\",\n \"color_palette\": [\"#7E97A8\", \"#F4F1EA\", \"#4A4A4A\", \"#141313\"]\n },\n {\n \"type\": \"obj\",\n \"bbox\": [780, 0, 1000, 1000],\n \"desc\": \"a dark sea across the bottom: long horizontal smudged strokes of turquoise and slate over black, a scatter of chalk-white crest ticks, and a broken reflection of the lamp trailing toward the viewer\",\n \"color_palette\": [\"#19C3AC\", \"#7E97A8\", \"#F4F1EA\", \"#141313\"]\n }\n ]\n }\n}"
}
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"desc": "the lighthouse beam: a genuine volumetric light cone with physical scattering, narrow and restrained, its density falling off with distance, brightening slightly where it passes through the sparse particles",
"color_palette": ["#F2C97A", "#E4E9EC", "#A8B2BA", "#232B33"]
},
{
"type": "obj",
"bbox": [200, 590, 790, 720],
"desc": "the lighthouse itself, the render's single hero object: a precisely modelled tapering tower in matte micro-roughened concrete with subtle displacement in the band joins, a thin steel gallery rail and a glass lantern housing a warm emissive source, crisply lit and grounded with a soft contact shadow so it reads unambiguously solid",
"color_palette": ["#E4E9EC", "#59646E", "#F2C97A", "#232B33", "#12161A"]
},
{
"type": "obj",
"bbox": [660, 470, 900, 900],
"desc": "a small rocky point beneath the tower: a handful of large low-poly displaced granite forms, matte and slightly damp, most of the original rock mass omitted so the base sits compact and isolated",
"color_palette": ["#59646E", "#232B33", "#A8B2BA", "#12161A"]
},
{
"type": "obj",
"bbox": [780, 0, 1000, 1000],
"desc": "a calm dark sea across the bottom: a nearly flat reflective plane with very low displacement, mirroring the lamp as a single clean elongated highlight and otherwise almost featureless",
"color_palette": ["#232B33", "#12161A", "#7CA8A0", "#F2C97A"]
},
{
"type": "text",
"bbox": [760, 60, 860, 440],
"text": "Sculpting Static",
"desc": "headline in Jost Bold (700), geometric sans with round Futura-like letterforms, sentence case, tight tracking, flush left in the wide empty lower-left area; flat warm white composited cleanly with no outline, bevel or glow",
"color_palette": ["#F7F2F1"]
},
{
"type": "text",
"bbox": [878, 60, 925, 420],
"text": "Diffusion explained in 120 seconds",
"desc": "subhead in Figtree Regular (400), friendly humanist geometric sans, sentence case, normal tracking, flush left beneath the headline with generous air around it; flat cool gray, fully legible",
"color_palette": ["#BABCC2"]
}
]
}
}{
"1": {
"class_type": "UNETLoader",
"inputs": {
"unet_name": "ideogram4_fp8_scaled.safetensors",
"weight_dtype": "default"
}
},
"2": {
"class_type": "UNETLoader",
"inputs": {
"unet_name": "ideogram4_unconditional_fp8_scaled.safetensors",
"weight_dtype": "default"
}
},
"3": {
"class_type": "CFGOverride",
"inputs": {
"model": [
"1",
0
],
"cfg": 3.0,
"start_percent": 0.7,
"end_percent": 1.0
}
},
"4": {
"class_type": "CLIPLoader",
"inputs": {
"clip_name": "qwen3vl_8b_fp8_scaled.safetensors",
"type": "ideogram4",
"device": "default"
}
},
"5": {
"class_type": "CLIPTextEncode",
"inputs": {
"clip": [
"4",
0
],
"text": "{\n \"high_level_description\": \"Landscape 16:9 key art as a sparse physically-based 3D render: a matte slate lighthouse model on a small rocky point at right casts a thin volumetric beam left through a sparse drifting cloud of television static particles that dissipates into empty gradient sky, with the headline \\\"Sculpting Static\\\" low-left in a great deal of open space.\",\n \"style_description\": {\n \"aesthetics\": \"minimal physically-based CG render, patient, precise, a little wistful, spare and quiet, vast negative space, product-shot restraint\",\n \"lighting\": \"a single warm area light inside the lantern plus a very low cool ambient dome; true volumetric scattering gives the beam physical depth, soft raytraced shadows, gentle falloff, no bloom beyond a faint physical glare on the lamp\",\n \"medium\": \"3d_render\",\n \"art_style\": \"clean physically-based render at high sample count: matte micro-roughened slate and concrete materials, subtle surface displacement, shallow depth of field on the far particles, neutral studio-like colour grade, minimal geometry with most of the frame left as empty air\",\n \"color_palette\": [\"#12161A\", \"#232B33\", \"#59646E\", \"#A8B2BA\", \"#E4E9EC\", \"#F2C97A\", \"#7CA8A0\", \"#F7F2F1\", \"#BABCC2\"]\n },\n \"compositional_deconstruction\": {\n \"background\": \"An almost empty smooth vertical gradient from deep charcoal at the top to a faint cool gray near the horizon, rendered clean with no texture — mostly untouched air. The lower left part of the frame stays open and uncluttered: the background simply continues there, with no objects, details, panels or lettering, as quiet breathing space.\",\n \"elements\": [\n {\n \"type\": \"obj\",\n \"bbox\": [60, 40, 620, 560],\n \"desc\": \"a sparse field of television static in the upper-left air: a thin drifting cloud of tiny emissive particles rendered with depth of field so the far ones blur to soft dots, far fewer and further apart than a full noise field, reading as scattered rather than dense\",\n \"color_palette\": [\"#A8B2BA\", \"#59646E\", \"#E4E9EC\", \"#12161A\"]\n },\n {\n \"type\": \"obj\",\n \"bbox\": [40, 560, 480, 970],\n \"desc\": \"clear open sky at upper right where the particles have dissipated entirely: perfectly clean rendered gradient, no geometry, no grain, an expanse of pure empty space\",\n \"color_palette\": [\"#12161A\", \"#232B33\", \"#59646E\"]\n },\n {\n \"type\": \"obj\",\n \"bbox\": [230, 120, 470, 620],\n \"desc\": \"the lighthouse beam: a genuine volumetric light cone with physical scattering, narrow and restrained, its density falling off with distance, brightening slightly where it passes through the sparse particles\",\n \"color_palette\": [\"#F2C97A\", \"#E4E9EC\", \"#A8B2BA\", \"#232B33\"]\n },\n {\n \"type\": \"obj\",\n \"bbox\": [200, 590, 790, 720],\n \"desc\": \"the lighthouse itself, the render's single hero object: a precisely modelled tapering tower in matte micro-roughened concrete with subtle displacement in the band joins, a thin steel gallery rail and a glass lantern housing a warm emissive source, crisply lit and grounded with a soft contact shadow so it reads unambiguously solid\",\n \"color_palette\": [\"#E4E9EC\", \"#59646E\", \"#F2C97A\", \"#232B33\", \"#12161A\"]\n },\n {\n \"type\": \"obj\",\n \"bbox\": [660, 470, 900, 900],\n \"desc\": \"a small rocky point beneath the tower: a handful of large low-poly displaced granite forms, matte and slightly damp, most of the original rock mass omitted so the base sits compact and isolated\",\n \"color_palette\": [\"#59646E\", \"#232B33\", \"#A8B2BA\", \"#12161A\"]\n },\n {\n \"type\": \"obj\",\n \"bbox\": [780, 0, 1000, 1000],\n \"desc\": \"a calm dark sea across the bottom: a nearly flat reflective plane with very low displacement, mirroring the lamp as a single clean elongated highlight and otherwise almost featureless\",\n \"color_palette\": [\"#232B33\", \"#12161A\", \"#7CA8A0\", \"#F2C97A\"]\n }\n ]\n }\n}"
}
},
"6": {
"class_type": "ConditioningZeroOut",
"inputs": {
"conditioning": [
"5",
0
]
}
},
"7": {
"class_type": "DualModelGuider",
"inputs": {
"model": [
"3",
0
],
"model_negative": [
"2",
0
],
"positive": [
"5",
0
],
"negative": [
"6",
0
],
"cfg": 7.0
}
},
"8": {
"class_type": "EmptyFlux2LatentImage",
"inputs": {
"width": 1344,
"height": 768,
"batch_size": 1
}
},
"9": {
"class_type": "Ideogram4Scheduler",
"inputs": {
"steps": 12,
"width": 1344,
"height": 768,
"mu": 0.5,
"std": 1.75
}
},
"10": {
"class_type": "KSamplerSelect",
"inputs": {
"sampler_name": "euler"
}
},
"11": {
"class_type": "RandomNoise",
"inputs": {
"noise_seed": 314159
}
},
"12": {
"class_type": "SamplerCustomAdvanced",
"inputs": {
"noise": [
"11",
0
],
"guider": [
"7",
0
],
"sampler": [
"10",
0
],
"sigmas": [
"9",
0
],
"latent_image": [
"8",
0
]
}
},
"13": {
"class_type": "VAELoader",
"inputs": {
"vae_name": "flux2-vae.safetensors"
}
},
"14": {
"class_type": "VAEDecode",
"inputs": {
"samples": [
"12",
0
],
"vae": [
"13",
0
]
}
},
"15": {
"class_type": "SaveImage",
"inputs": {
"images": [
"14",
0
],
"filename_prefix": "art-direction/art-directions-01--04-a-chalk-pastel-artwork-on-black/05-slate-3d-render-sparse"
}
}
}Claude also writes a restyle instruction for the reference: it must lead with the transformation and name the reference's medium, materials, palette (in words), lighting and backdrop, and it may never name an object, person or setting from the reference. The code appends a guard that pins the scene to image 1 and, because the text is blurred out for the edit, states that there is no text in the image. This is the exact final prompt Qwen received:
Text-last mode: the six pictures were rendered with no text at all. Claude's recipe kept the text area reserved as a calm, empty zone, so the picture leaves room for the type. The clean render is saved as raw/NN.clean.png and is exactly what the editor receives as image 1. Nothing is blurred; there are no letters to hide.
Qwen-Image-Edit-2511 takes the textless tile as image 1 and the reference as image 2 and repaints image 1 with the prompt above. Layout survives because the edit model preserves structure; the look changes because the prompt insists every surface adopts the reference's. These are the exact mechanics:
{
"1": {
"class_type": "UNETLoader",
"inputs": {
"unet_name": "qwen_image_edit_2511_fp8mixed.safetensors",
"weight_dtype": "default"
}
},
"2": {
"class_type": "LoraLoaderModelOnly",
"inputs": {
"model": [
"1",
0
],
"lora_name": "Qwen-Image-Edit-2511-Lightning-4steps-V1.0-bf16.safetensors",
"strength_model": 1.0
}
},
"3": {
"class_type": "ModelSamplingAuraFlow",
"inputs": {
"model": [
"2",
0
],
"shift": 3.1
}
},
"4": {
"class_type": "CFGNorm",
"inputs": {
"model": [
"3",
0
],
"strength": 1.0
}
},
"5": {
"class_type": "CLIPLoader",
"inputs": {
"clip_name": "qwen_2.5_vl_7b_fp8_scaled.safetensors",
"type": "qwen_image",
"device": "default"
}
},
"6": {
"class_type": "VAELoader",
"inputs": {
"vae_name": "qwen_image_vae.safetensors"
}
},
"7": {
"class_type": "LoadImage",
"inputs": {
"image": "art-directions-01--04-a-chalk-pastel-artwork-on-black--00-canonical.clean.png"
},
"is_changed": [
"3270a8c199805db6cff633f2673932a5fa0a83eea3624fbed3b3b59575dc07fd"
]
},
"8": {
"class_type": "FluxKontextImageScale",
"inputs": {
"image": [
"7",
0
]
}
},
"9": {
"class_type": "LoadImage",
"inputs": {
"image": "art-directions-01--04-a-chalk-pastel-artwork-on-black--ref-a-chalk-pastel-artwork-on-black-paper-de_V_seXJJ9SH-Ui1DTgOKbvw_dWfCtc0hT6ydCZ-R8gQ2wg.png"
},
"is_changed": [
"89761e3527ad07c5c6c57907e3fb48dc05b187814007dcdc703cd7797ad612e4"
]
},
"10": {
"class_type": "FluxKontextImageScale",
"inputs": {
"image": [
"9",
0
]
}
},
"11": {
"class_type": "TextEncodeQwenImageEditPlus",
"inputs": {
"clip": [
"5",
0
],
"prompt": "Transform image 1 into a soft chalk-pastel drawing on heavy black paper. Powdery pigment sits on visible paper tooth: broken stick strokes, smudged fingertip blending, dusty haloes blooming around the brightest marks with fibrous radiating strands, and bare matte black paper wherever the drawing stops. Work the whole frame in chalk white, acid lemon yellow, turquoise green, dusty slate blue and brick red over that near-black ground. The lighthouse, the rocks, the beam, the field of static, the sea and the sky each become chalk — hatched edges, scumbled highlights, velvety unlit blacks, no gloss and no photographic detail. The subject and scene remain those of image 1: Do not copy any object, person, figure or setting from image 2; take only its surface qualities. Keep the layout of image 1. There is no text in this image: the plain, soft, empty area of image 1 stays empty and unlettered, with no words, letters, numbers, captions or logos anywhere in the picture.",
"vae": [
"6",
0
],
"image1": [
"8",
0
],
"image2": [
"10",
0
]
}
},
"12": {
"class_type": "TextEncodeQwenImageEditPlus",
"inputs": {
"clip": [
"5",
0
],
"prompt": "",
"vae": [
"6",
0
],
"image1": [
"8",
0
],
"image2": [
"10",
0
]
}
},
"13": {
"class_type": "VAEEncode",
"inputs": {
"pixels": [
"8",
0
],
"vae": [
"6",
0
]
}
},
"14": {
"class_type": "KSampler",
"inputs": {
"model": [
"4",
0
],
"positive": [
"11",
0
],
"negative": [
"12",
0
],
"latent_image": [
"13",
0
],
"seed": 314159,
"steps": 4,
"cfg": 1.0,
"sampler_name": "euler",
"scheduler": "simple",
"denoise": 1.0
}
},
"15": {
"class_type": "VAEDecode",
"inputs": {
"samples": [
"14",
0
],
"vae": [
"6",
0
]
}
},
"16": {
"class_type": "SaveImage",
"inputs": {
"images": [
"15",
0
],
"filename_prefix": "art-direction/art-directions-01--04-a-chalk-pastel-artwork-on-black/restyle-a-chalk-pastel-artwork-00-canonical"
}
}
}{
"1": {
"class_type": "UNETLoader",
"inputs": {
"unet_name": "qwen_image_edit_2511_fp8mixed.safetensors",
"weight_dtype": "default"
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},
"2": {
"class_type": "LoraLoaderModelOnly",
"inputs": {
"model": [
"1",
0
],
"lora_name": "Qwen-Image-Edit-2511-Lightning-4steps-V1.0-bf16.safetensors",
"strength_model": 1.0
}
},
"3": {
"class_type": "ModelSamplingAuraFlow",
"inputs": {
"model": [
"2",
0
],
"shift": 3.1
}
},
"4": {
"class_type": "CFGNorm",
"inputs": {
"model": [
"3",
0
],
"strength": 1.0
}
},
"5": {
"class_type": "CLIPLoader",
"inputs": {
"clip_name": "qwen_2.5_vl_7b_fp8_scaled.safetensors",
"type": "qwen_image",
"device": "default"
}
},
"6": {
"class_type": "VAELoader",
"inputs": {
"vae_name": "qwen_image_vae.safetensors"
}
},
"7": {
"class_type": "LoadImage",
"inputs": {
"image": "art-directions-01--04-a-chalk-pastel-artwork-on-black--01-riso-two-tone-fluoro.clean.png"
},
"is_changed": [
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]
},
"8": {
"class_type": "FluxKontextImageScale",
"inputs": {
"image": [
"7",
0
]
}
},
"9": {
"class_type": "LoadImage",
"inputs": {
"image": "art-directions-01--04-a-chalk-pastel-artwork-on-black--ref-a-chalk-pastel-artwork-on-black-paper-de_V_seXJJ9SH-Ui1DTgOKbvw_dWfCtc0hT6ydCZ-R8gQ2wg.png"
},
"is_changed": [
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]
},
"10": {
"class_type": "FluxKontextImageScale",
"inputs": {
"image": [
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]
}
},
"11": {
"class_type": "TextEncodeQwenImageEditPlus",
"inputs": {
"clip": [
"5",
0
],
"prompt": "Transform image 1 into a soft chalk-pastel drawing on heavy black paper. Powdery pigment sits on visible paper tooth: broken stick strokes, smudged fingertip blending, dusty haloes blooming around the brightest marks with fibrous radiating strands, and bare matte black paper wherever the drawing stops. Work the whole frame in chalk white, acid lemon yellow, turquoise green, dusty slate blue and brick red over that near-black ground. The lighthouse, the rocks, the beam, the field of static, the sea and the sky each become chalk — hatched edges, scumbled highlights, velvety unlit blacks, no gloss and no photographic detail. The subject and scene remain those of image 1: Do not copy any object, person, figure or setting from image 2; take only its surface qualities. Keep the layout of image 1. There is no text in this image: the plain, soft, empty area of image 1 stays empty and unlettered, with no words, letters, numbers, captions or logos anywhere in the picture.",
"vae": [
"6",
0
],
"image1": [
"8",
0
],
"image2": [
"10",
0
]
}
},
"12": {
"class_type": "TextEncodeQwenImageEditPlus",
"inputs": {
"clip": [
"5",
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],
"prompt": "",
"vae": [
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0
],
"image1": [
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],
"image2": [
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]
}
},
"13": {
"class_type": "VAEEncode",
"inputs": {
"pixels": [
"8",
0
],
"vae": [
"6",
0
]
}
},
"14": {
"class_type": "KSampler",
"inputs": {
"model": [
"4",
0
],
"positive": [
"11",
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],
"negative": [
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],
"latent_image": [
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],
"seed": 314159,
"steps": 4,
"cfg": 1.0,
"sampler_name": "euler",
"scheduler": "simple",
"denoise": 1.0
}
},
"15": {
"class_type": "VAEDecode",
"inputs": {
"samples": [
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"vae": [
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},
"16": {
"class_type": "SaveImage",
"inputs": {
"images": [
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],
"filename_prefix": "art-direction/art-directions-01--04-a-chalk-pastel-artwork-on-black/restyle-a-chalk-pastel-artwork-01-riso-two-tone-fluoro"
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}
}{
"1": {
"class_type": "UNETLoader",
"inputs": {
"unet_name": "qwen_image_edit_2511_fp8mixed.safetensors",
"weight_dtype": "default"
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},
"2": {
"class_type": "LoraLoaderModelOnly",
"inputs": {
"model": [
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],
"lora_name": "Qwen-Image-Edit-2511-Lightning-4steps-V1.0-bf16.safetensors",
"strength_model": 1.0
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"3": {
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"inputs": {
"model": [
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"shift": 3.1
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},
"4": {
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"inputs": {
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},
"5": {
"class_type": "CLIPLoader",
"inputs": {
"clip_name": "qwen_2.5_vl_7b_fp8_scaled.safetensors",
"type": "qwen_image",
"device": "default"
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},
"6": {
"class_type": "VAELoader",
"inputs": {
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},
"7": {
"class_type": "LoadImage",
"inputs": {
"image": "art-directions-01--04-a-chalk-pastel-artwork-on-black--02-long-exposure-photo-cool.clean.png"
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"is_changed": [
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"8": {
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"inputs": {
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},
"9": {
"class_type": "LoadImage",
"inputs": {
"image": "art-directions-01--04-a-chalk-pastel-artwork-on-black--ref-a-chalk-pastel-artwork-on-black-paper-de_V_seXJJ9SH-Ui1DTgOKbvw_dWfCtc0hT6ydCZ-R8gQ2wg.png"
},
"is_changed": [
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"10": {
"class_type": "FluxKontextImageScale",
"inputs": {
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},
"11": {
"class_type": "TextEncodeQwenImageEditPlus",
"inputs": {
"clip": [
"5",
0
],
"prompt": "Transform image 1 into a soft chalk-pastel drawing on heavy black paper. Powdery pigment sits on visible paper tooth: broken stick strokes, smudged fingertip blending, dusty haloes blooming around the brightest marks with fibrous radiating strands, and bare matte black paper wherever the drawing stops. Work the whole frame in chalk white, acid lemon yellow, turquoise green, dusty slate blue and brick red over that near-black ground. The lighthouse, the rocks, the beam, the field of static, the sea and the sky each become chalk — hatched edges, scumbled highlights, velvety unlit blacks, no gloss and no photographic detail. The subject and scene remain those of image 1: Do not copy any object, person, figure or setting from image 2; take only its surface qualities. Keep the layout of image 1. There is no text in this image: the plain, soft, empty area of image 1 stays empty and unlettered, with no words, letters, numbers, captions or logos anywhere in the picture.",
"vae": [
"6",
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],
"image1": [
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],
"image2": [
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}
},
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"class_type": "TextEncodeQwenImageEditPlus",
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"prompt": "",
"vae": [
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}
},
"13": {
"class_type": "VAEEncode",
"inputs": {
"pixels": [
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0
],
"vae": [
"6",
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]
}
},
"14": {
"class_type": "KSampler",
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"positive": [
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"latent_image": [
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"steps": 4,
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"sampler_name": "euler",
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},
"15": {
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"vae": [
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}
},
"16": {
"class_type": "SaveImage",
"inputs": {
"images": [
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],
"filename_prefix": "art-direction/art-directions-01--04-a-chalk-pastel-artwork-on-black/restyle-a-chalk-pastel-artwork-02-long-exposure-photo-cool"
}
}
}{
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}Text-last mode: back on the Mac, the brand text is typeset onto every finished picture, both approaches alike, with the real font files: Jost[wght].ttf at weight 700 for the headline and Figtree[wght].ttf at weight 500 for the subhead, placed where Claude's recipe reserved the text area. The colour is chosen per picture by measuring the ground under the text: Warm White #F7F2F1 on dark, Charcoal #202124 / Black on light. If the ground is busy or mid-tone, a soft scrim is laid under the text first; the letters stay flat. Then the K mark is applied. Clean, text-free renders are kept in raw/ as NN.clean.png, and every PNG keeps the ComfyUI workflow in its metadata.
Record a verdict per direction and one honest risk for the winner in verdict.md, then promote the winner to the project's ART-DIRECTION.md. Re-render a winner at full quality with audition.py rerender art-directions-01--04-a-chalk-pastel-artwork-on-black NN --preset quality --mp 2.
| # | Direction | Axis | Rationale | Verdict | Risk |
|---|---|---|---|---|---|
| 00 | canonical | original | Brief asks for 16:9 key art for "Sculpting Static": a lighthouse on a rocky point, its beam cutting a field of television static that dissolves into clear sky, patient/precise/wistful, lighthouse solid and real, with the Jost Bold headline and Figtree subhead. From the [style] reference I took only surface qualities — soft chalk and pastel sticks worked on heavy black paper, powdery pigment sitting on visible paper tooth, smudged fingertip blending, broken stick strokes, bare matte black paper used as the darkest value, and glowing light sources drawn as blooms with fibrous radiating chalk strokes. Palette sampled from it: near-black paper #141313, chalk white #F4F1EA, acid lemon #F2E15C, hot lamp core #FFF7C2, turquoise #19C3AC, dusty slate blue #7E97A8, brick red #B23A32, smudge gray #4A4A4A. Nothing from the reference's own subject matter was carried over. Brand text colours #F7F2F1 and #BABCC2 added to the image-level palette so the dark ground supports the type. | ||
| 01 | riso-two-tone-fluoro | medium + palette | Static is fundamentally a printing artefact, so a two-colour riso — where misregistration and grain ARE the noise — is the same idea told in ink instead of chalk. | ||
| 02 | long-exposure-photo-cool | medium + lighting | "The lighthouse must read as solid and real" is easiest to prove photographically, and a tripod long exposure turns the sea into the same smooth resolved field the static is dissolving toward. | ||
| 03 | gouache-dawn-warm | palette + material and texture | Same chalky hand-made lineage and same scene, but swung from cold night to a warm dawn in opaque gouache — noise dissolving into first light is the wistful reading of the brief. | ||
| 04 | midcentury-science-plate | era or lineage + level of abstraction | An explainer about signal and noise sits naturally in the 1960s science-textbook plate tradition, where the beam becomes a diagram of itself rather than a depicted light. | ||
| 05 | slate-3d-render-sparse | medium + composition density | Carving a clean form out of noise is literally what a renderer does, so a stripped-back physically-lit CG shot with far more empty air makes the brief's metaphor the material itself. |